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Breaking: The ‘Friday the 13th’ Case Is [Allegedly] Officially Over and Victor Miller Once Again Owns His Screenplay

Breaking: The 'Friday the 13th' Case Is [Allegedly] Officially Over and Victor Miller Once Again Owns His Screenplay

As unsure as every part would possibly really feel proper now, we are able to at all times rely on horror to beat the percentages and keep part of our lives. The style has been prolific lately, and 2021 was no completely different. This yr alone noticed plenty of high-profile horror releases in addition to smaller ones. Lots of which have been delayed or didn’t see home distribution till now.

With this yr being so jam-packed horror-wise, it goes with out saying plenty of releases acquired misplaced within the shuffle. Whether or not they got here and went with no publicity, or they escaped consideration no matter their deserves, these films are thought of my hidden gems of 2021.

scare us 2

Scare Us

To not be confused with both of the Scare Me films from final yr, Scare Us is a very unrelated anthology. The premise is straightforward sufficient; aspiring writers frequently collect at a bookstore to allow them to share their work. As they do that on a very tense evening, they haven’t any alternative however to handle the pink elephant within the room — a killer named Cutthroat is terrorizing the realm.

Opinions have been particularly laborious on Scare Us, however not like different horror portmanteaus popping out at this time, this one isn’t one other mere “Frankenthology.” The a number of filmmakers concerned all work towards a cohesive framing story. As anticipated, the plot threads differ in high quality; Ryan Kjolberg‘s surreal providing “Untethered” has understandably gained essentially the most consideration. But, the opposite tales aren’t any pushovers both. What Scare Us lacks in gimmickry and craved nostalgia it makes up for in artistry and consistency.

the toll 2021

The Toll

After screening at a number of movie fests, Michael Nader‘s The Toll ultimately got here house in 2021. The film is Nader’s directorial debut after penning one other hidden gem, Headcount. On this one, a lady (Jordan Hayes) and her ride-share driver (Max Topplin) grow to be trapped inside a supernatural anomaly with an entity often known as the Toll Man.

The Toll is an atmospheric journey into darkness. Nader marries nightmarish imagery with emotional landmines. There’s the occasional second of overwriting, but it surely’s not too distracting from the general story.

the arbors

The Arbors

As a result of bouts of isolation and distancing during the last two years, many individuals have grow to be all too conversant in loneliness. The primary character on the heart of this creature-feature can relate, though his solitude exists for various causes. Drew Matthews performs a closed-off locksmith named Ethan, who discovers an odd “insect” at some point. Because the residents of this rural group then begin to disappear, Ethan goes to nice lengths to guard his new companion.

Clayton Witmer‘s function debut, co-written with Chelsey Cummings, facilities on a person who has grow to be indifferent from each his household and himself. The monster doubles as a tangible menace and a type of avatar for Ethan’s state of mind. So far as the creature goes, what little we see of it’s spectacular given the budgetary restraints. Don’t anticipate plenty of carnage or motion in The Arbors; we catch solely the occasional glimpses of demise and chase. Even realizing this can be a gradual burn, the film would have benefitted from a shorter runtime. Be that as it could, few monster films popping out at this time are prepared to be this weak.

the vice guide to bigfoot copy

15 Issues You Didn’t Know About Bigfoot (#1 Will Blow Your Thoughts)

Initially known as The VICE Information to Bigfoot when it performed at movie festivals in 2019 and 2020, Zach Lamplugh‘s film was retitled 15 Issues You Didn’t Know About Bigfoot (#1 Will Blow Your Thoughts) as soon as it was launched for house viewing in 2021. The brand new identify is a mouthful, sure, however the film is a complete deal with for cryptid fans. On this mockumentary, a millennial reporter (Brian Emond) bites off greater than he can chew when he visits the Appalachian foothills for a function about Bigfoot. He and an newbie cryptozoologist (Jeffrey Stephenson) land themselves in bother as they delve deeper into each the parable and the area’s extra mysterious elements.

Lamplugh deftly satirizes clickbait tradition whereas additionally delivering a novel Sasquatch film. The humor leaves a sting, and the protagonists are likeable oddballs. The one factor extra elusive than essentially the most iconic cryptid is a high quality Bigfoot flick. Effectively, look no additional as a result of 15 Issues hits its goal after which some.

happy little bunnies

Completely happy Little Bunnies

The road between horror and darkish comedy is blurred on this British import. On paper Completely happy Little Bunnies seems like a fundamental slasher, however the additional you watch, it’s apparent one thing else equally sinister is at work. Patrick McConnell‘s film focuses on a younger man’s (John Scott Clark) somewhat unorthodox remedy session. His new counselor (Simon Manley) goes to extremes to “assist” his affected person. Within the meantime, town is on edge due to an at-large serial killer who wears a bunny masks.

Completely happy Little Bunnies is a quasi-slasher with a imply streak. The narrative type isn’t all that clear-cut, however the payoff is greater than value your time and persistence. An urge for food for transgressive tales and black humor makes this film go down simpler.


Come True

Anthony Scott Burns hit the style scene with the “Father’s Day” phase in Holidays and the underrated function Our Home. The follow-up Come True sees Burns appearing as each a director and a author; Daniel Weissenberger helped conceive the story. With Burns being extra concerned within the writing, we get a greater sense of his type and imaginative and prescient. Right here, a younger runaway (Julia Sarah Stone) by the way invitations an uncanny pressure into actuality when she volunteers for a sleep examine.

Come True is compelling despite a minor flaw or two, but it surely’s these imperfections that additionally make it memorable. A lot of the movie is attractive; the wealthy soundtrack and visuals hold you engaged. The dread unfolds in increments, and by the point the divisive ending rolls round, you’re already too consumed with every part that got here earlier than it.

horrors in the high desert

Horror within the Excessive Desert

Whereas some would possibly say discovered footage has gone out of style, others will attest the format is as alive as ever. In fact its mainstream visibility has dwindled because the heyday, however anybody who visits Tubi sufficient is aware of there’s nonetheless a craving for first-person thrills. One of many higher finds this yr is Horror within the Excessive Desert, a mockumentary a few lacking man in Northern Nevada.

Three years after his disappearance, family and friends of Gary (Eric Mencis) come collectively to shoot a documentary about their loss. The case’s investigation is described in nice element earlier than the startling reveal towards the top. Not like different related films, Horror within the Excessive Desert avoids the patent however overused “throw every part on the digital camera and hope it sticks” routine. Quite the opposite, Dutch Marich creates a hefty little bit of stress by doing little or no. The performances and scares all come throughout as genuine even when we all know higher by now.



From Worry Road to the upcoming Scream sequel, masked murderers are trending prefer it’s the late ’90s once more. Some issues about slashers by no means change; the killers nonetheless love their signature weapons and really particular motivations. John Berardo‘s Initiation isn’t any exception, however what actually makes this neo-slasher stand out is the unimaginable writing. Initiation wows with its appearing and depictions of grief. Typically, the assembly of drama and suspense right here is exceedingly properly accomplished.

Within the film, a university campus is left in shock when a fraternity brother (Froy Gutierrez) is brutally murdered in his personal home. His sister (performed by co-writer Lindsay LaVanchy) has no time to mourn as a result of the assailant has solely simply begun their killing spree.

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The Feast

Ecological horror has made a small comeback due to rising concern in regards to the planet. On a smaller scale, the Welsh film The Feast (initially Gwledd) examines the implications of native avarice and absolute self-interest. An space often known as The Rise is at stake on this fantastically shot morality story. A rich household has no earthly thought of what’s to return as they plan their subsequent — and probably final — feast.

Bjørn Ståle Bratberg‘s eye for lavish surroundings and opulent décor may be deceptive, however director Lee Haven Jones fills each inch of this eco-horror with quiet, insurmountable dread. This languid strategy to a theme as doubtlessly farcical as “eat the wealthy” isn’t for everybody, however those that keep the course will really feel sated by the result.

roh soul


Two years after its launch again in Malaysia, Emir Ezwan‘s Roh (Soul) is lastly accessible within the U.S. This spectacular debut is certainly one of a number of homegrown horrors that’s managed to achieve curiosity exterior of Asia. Roh follows a single mom (Farah Ahmad) and her two kids (Mhia Farhana, Harith Haziq) as they fend off a supernatural menace. This comes after they’re visited by strangers with obscure intentions.

The confining forest prevents a fast and straightforward escape, and the dread is immovable. On prime of all that could be a cruel plot trajectory. Though Roh by no means cares to elucidate itself, the film is completely unsettling.

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