Halloween II has all the time stood within the lengthy shadow of its virtually excellent predecessor. In some ways, it’s a meaner movie than the unique. Whereas the primary has extra in the way in which of trick or treating, carving jack o’ lanterns, and teenage mischief, the sequel is the razor blades in apples, carved up our bodies, and carnage following a drunken teenage occasion. Halloween begins as a protracted day’s journey into evening. Halloween II is sort of completely the darkish, seemingly countless evening of terror. Even the horror movie enjoying on tv is darker—the brutal and visceral Night time of the Dwelling Lifeless versus the extra innocuous 50’s terror The Factor from One other World. Whereas the primary movie is basically populated by optimistic youngsters and kids with wild imaginations, Halloween II is crammed with drained and cynical adults. That is Halloween after hours, and they’re vicious hours.
It’s this imply streak that many critics on the time and even a few of the filmmakers linked with the unique negatively responded to. Tommy Lee Wallace, a significant participant within the making of the primary and finally third movies of the franchise, was initially employed to direct Halloween II, however was very sad with the script and determined to again out. “It felt like the whole lot that Halloween was not,” Wallace mentioned in an interview. “The place Halloween acquired it executed with suggestion and shadows and true old-fashioned suspense method, by some means to me Halloween II was summed up with that hypodermic within the eyeball.” Roger Ebert cited the very same second in his destructive assessment of the movie as indicative of the whole lot he noticed flawed with the movie and the slasher subgenre. These criticisms could seem unfounded or extreme immediately, however they aren’t completely unfair. It’s a much more brutal and fewer suggestive horror movie than the primary. That mentioned, most criticisms in opposition to the movie stem from comparisons to the unique. Taken by itself phrases, Halloween II is among the greatest slashers of the 80’s or certainly any period.
Halloween II is clearly influenced by a few of Halloween’s imitators, notably the primary two Friday the thirteenth motion pictures, Promenade Night time, and My Bloody Valentine. In consequence, it’s a bloodier movie than the unique, however nonetheless not on the extent of many different slashers. Sure tropes just like the “cat soar scare” and “opening a door to search out nothing solely to shut it and reveal the killer” additionally discovered their approach into the movie. That mentioned, it nonetheless seems like a Halloween movie, a real continuation of the primary. That is largely as a result of key gamers from the unique returning for the second each in entrance of and behind the digicam. John Carpenter and Debra Hill once more co-wrote the script whereas the nice Dean Cundey returned as Director of Images, assuring a constant look between the 2 movies.
In contrast to the one different main slasher sequel as much as that point, Friday the thirteenth Half 2, Halloween II brings again a number of characters from the primary movie, which is important because it begins the second the primary movie ends, additionally one thing of an innovation. Charles Cyphers as Sheriff Brackett solely seems in a number of scenes towards the start of the movie. After seeing the physique of his daughter Annie (Nancy Loomis) he leaves to inform his spouse “earlier than another person does” in a robust and emotional second. Deputy Hunt (Hunter von Leer) then primarily takes over the position that Brackett performed within the first movie, aiding Dr. Loomis on his hunt for Michael Myers.
Donald Pleasance returns as Dr. Sam Loomis providing extra of John Carpenter’s signature monologues about evil. This movie options Dr. Loomis unbound, and greater than slightly unhinged, typically wreaking virtually as a lot havoc on Haddonfield as Michael. He’s seen working down the sidewalk waving his gun, practically capturing a teen he suspects to be Myers earlier than the boy is killed in a fiery crash (justice for Ben Tramer!), and firing a “warning shot” via a police officer’s windshield. This final scene additionally options Nancy Stephens as Nurse Marion who returns late within the movie to disclose some surprising new info to Loomis.
We additionally get various new characters, lots of whom work at Haddonfield Memorial Hospital the place Laurie Strode (Jamie Lee Curtis) has been introduced for therapy for her wounds (extra on Laurie later). Although they’re largely destined to grow to be victims, they’re absolutely realized characters, fleshed out and really nicely carried out even in comparatively transient appearances. Jimmy (Lance Visitor) and Budd (Leo Rossi), who presents a memorable rendition of “Wonderful Grace,” are the paramedics who carry Laurie to the hospital with Jimmy fulfilling the love curiosity position. Gloria Giffords is formidable as Mrs. Alves, the top nurse, who’s the one feminine character to satisfy The Form offscreen. Ana Alicia as Janet, Pamela Susan Shoop as Karen, and Tawny Moyer as Jill all play nurses with memorable demise scenes whereas Cliff Emmich as safety guard Mr. Garrett and Ford Rainey as Dr. Mixter spherical out the hospital employees.
The methods every of those characters meet their finish is one other approach that Halloween II was influenced by different slashers—the brutality and frequency of the demise sequences. The deaths of girls are notably vicious and sometimes protracted, particularly when in comparison with the commonly transient or offscreen deaths of Michael’s male victims. This actuality is on full show within the sequence that serves because the movie’s centerpiece, the recent tub scene. Budd is dispatched shortly by strangulation within the out of focus background, however Karen is submerged a number of occasions into the scalding water of the remedy tub till a lot of the pores and skin on her face is burned away. The one exceptions to this are the offscreen demise of Mrs. Alves, and the 2 male victims of Sam Loomis: Ben Tramer and Michael himself, who’re each engulfed by flames in prolonged photographs. That is extra of an commentary than something because it was a quite common aspect of most slasher movies for a really very long time, even people who tried to buck these traits like Scream.
In some methods, Halloween II continues, expands, and confirms the themes of the unique, however in others undermines them. The opening sequences and the kills within the hospital all a minimum of seemingly proceed the random nature of demise and evil, an vital theme of the primary movie. After leaving the Doyle home garden, Michael wanders right into a home and steals a butcher knife, leaving the aged couple that lives there unhurt, although shaken. Within the subsequent, he stabs a younger lady within the coronary heart after she has a cellphone dialog by which she is informed about Michael’s escape. In these sequences Michael Myers is really The Form, the boogeyman, the embodiment of the uncaring, unstoppable drive of destiny that he was in Halloween.
The place the movie diverges from the primary is summed up in two vital questions requested by Laurie that will form the franchise from that time on: “why me?” and “why received’t he die?” Within the opinion of many followers of the franchise, these questions are higher left unanswered, notably the primary. Although the second query wouldn’t be explored for fairly a while, the reply to “why me” turned one of many extra controversial components of the movie. Although Carpenter now blames a “evening of heavy consuming” for the notorious “sister twist” it could even have had its roots within the zeitgeist of the period. A number of early slashers embrace familial ties within the motive of their killers and probably the most profitable sequel of all time, The Empire Strikes Again, launched solely the yr earlier than, options probably the most well-known and efficient use of the household twist. Whether or not these influenced Carpenter, consciously or unconsciously, might by no means be absolutely identified, however making Laurie Strode Michael Myers’ sister actually had lasting penalties. In a technique or one other, each different entry within the franchise (excluding Halloween III after all) offers with this problem, both by expounding on or erasing it.
Michael additionally turns into one thing completely different than purely “the boogeyman” when ascribed this motive of eager to kill his different sister. On the finish of the primary movie, the disappearance of his physique adopted by the sound of his respiratory at a number of areas implies that Michael is just not “anyplace” however in every single place. He’s actually The Form, unbound from a the place, and there by no means was a why. Trauma visits some and never others, identical to the drive of destiny mentioned within the classroom scene of the primary movie. Identical to The Form. So, Laurie’s query of “why me” early in Halloween II is extraordinarily highly effective and really a lot in keeping with Halloween’s concepts of evil. The one reply within the unique is that she is the one who dropped off the important thing on the Myers home, and Michael occurred to see her do it. When Laurie turns into his sister, it brings function, purpose, and a degree of humanity, which Carpenter goes to nice lengths to clarify is just not the case via many traces and monologues from Loomis. He “isn’t a person,” he’s “purely and easily evil,” and has “the blackest eyes, the satan’s eyes.”
However regardless of some flaws that Halloween II has, it’s nonetheless a terrific movie and extremely influential. As the unique set the foundations and the template of the slasher, this movie units the foundations of a profitable slasher sequel. To cite Randy Meeks from Scream 2, “the physique rely is all the time greater.” Verify. “The demise scenes are extra elaborate.” Verify. And as revealed within the trailer for that movie, “by no means, ever, underneath any circumstances assume the killer is lifeless.” Double examine. This third rule is especially demonstrated by the incredible climactic sequence of the movie which stands as probably the greatest of the collection. After taking a number of photographs to the center from Loomis, the Form rises to pursue Laurie and his former physician, who escape into an working room, the place he’s once more shot by Laurie. Michael, blinded by her impeccably aimed gunshots to the eyes whipping a scalpel wildly via the air is among the nice moments in any slasher. Loomis then yells for Laurie to run, and he ignites the oxygen he has launched from a number of tanks with a lighter. The picture of Michael, engulfed in flames, strolling towards Laurie earlier than collapsing is unforgettable and a transparent affect on unstoppable killers to return, together with The Terminator and future iterations of Jason Voorhees.
Because the movie ends with its solely daylight scene (apart from a quick flashback/dream sequence) the movie once more confirms the fatalistic themes underlying each movies. Laurie’s thousand-yard stare as she is being pushed away within the ambulance is proof that she’s going to seemingly by no means absolutely be free of those occasions. That stare has affected the collection ever since. Despite the fact that the brand new Blumhouse movies don’t embrace Halloween II of their canon, Laurie in these movies feels very very like the Laurie of that thousand-yard stare, decided that nothing like it will ever occur to her or anybody she loves once more.
For me, Halloween II will all the time maintain a particular place. Not solely was it my entrée into the Halloween franchise, however certainly to slashers interval. As a child, lurking within the horror part of my native video retailer, its poster artwork of a grinning cranium rising from a pumpkin emblazoned on the VHS cowl haunted me greater than some other lengthy after we headed residence with a handful of extra household pleasant fare. I didn’t know what to anticipate once I watched it with a bunch of associates at a sleepover a number of years later however left the subsequent morning understanding I had watched the scariest film I had ever seen as much as that time. Although that crown was transferred to John Carpenter’s masterpiece once I watched it a number of days later, Halloween II stays a seminal movie to me, to the Halloween franchise, and to the whole horror style.